NEW YORK (AP) — Edmund White, the groundbreaking man of letters who documented and imagined the gay revolution through journalism, essays, plays and such novels as “A Boy’s Own Story” and “The Beautiful Room is Empty,” has died. He was 85.
White’s death was confirmed Wednesday by his agent, Bill Clegg.
Along with Larry Kramer, Armistead Maupin and others, White was among a generation of gay writers who in the 1970s became bards for a community no longer afraid to declare its existence. He was present at the Stonewall raids of 1969, when arrests at a club in Greenwich Village led to the birth of the modern gay movement and for decades was a participant and observer through the tragedy of AIDS, the advance of gay rights and culture and the recent backlash.
A resident of New York and Paris for much of his adult life, he was a novelist, journalist, biographer, playwright, activist, teacher and memoirist. “A Boy’s Own Story” was a bestseller and classic coming-of-age novel that demonstrated gay literature’s commercial appeal. He wrote a prizewinning biography of playwright Jean Genet, books on Marcel Proust and Arthur Rimbaud. He was a professor of creative writing at Princeton University, where colleagues included Toni Morrison and his close friend, Joyce Carol Oates.
“Among gay writers of his generation, Edmund White has emerged as the most versatile man of letters,” cultural critic Morris Dickstein wrote in The New York Times in 1995. “A cosmopolitan writer with a deep sense of tradition, he has bridged the gap between gay subcultures and a broader literary audience.”
Childhood yearnings
White was born in Cincinnati in 1940, but age at 7 moved with his mother to the Chicago area after his parents divorced. His father was a civil engineer “who reigned in silence over dinner as he studied his paper.” His mother was a psychologist “given to rages or fits of weeping.” Trapped in “the closed, sniveling, resentful world of childhood,” at times suicidal, White was at the same time a “fierce little autodidact” who sought escape through the stories of others, whether Thomas Mann’s “Death in Venice” or a biography of dancer Vaslav Nijinsky.
“As a young teenager I looked desperately for things to read that might excite me or assure me I wasn’t the only one, that might confirm my identity I was unhappily piecing together,” he wrote in the 1991 essay “Out of the Closet, On to the Bookshelf.”
As he wrote in “A Boy’s Own Story,” he knew as a child that he was attracted to boys, but for years was convinced he must change — out of a desire to please his father (whom he otherwise despised) and a wish to be “normal.” Even as he secretly wrote a “coming out” novel while a teenager, he insisted on seeing a therapist and begged to be sent to boarding school. One of the funniest and saddest episodes from “A Boy’s Own Story” told of a brief crush he had on a teenage girl, ended by a polite and devastating note of rejection.
“For the next few months I grieved,” White writes. “I would stay up all night crying and playing records and writing sonnets to Helen. What was I crying for?”
Early struggles, changing times
Through much of the 1960s, he was writing novels that were rejected or never finished. Late at night, he would “dress as a hippie, and head out for the bars.” A favorite stop was the Stonewall, where he would down vodka tonics and try to find the nerve to ask a man he had crush on to dance. He was in the neighborhood on the night of June 28, 1969, when police raided the Stonewall and “all hell broke loose.”
“Up until that moment we had all thought homosexuality was a medical term,” wrote White, who soon joined the protests. “Suddenly we saw that we could be a minority group — with rights, a culture, an agenda.”
White’s debut novel, the surreal and suggestive “Forgetting Elena,” was published in 1973. He collaborated with Charles Silverstein on “The Joy of Gay Sex,” a follow-up to the bestselling “The Joy of Sex” that was updated after the emergence of AIDS. In 1978, his first openly gay novel, “Nocturnes for the King of Naples,” was released and he followed with the nonfiction “States of Desire,” his attempt to show “the varieties of gay experience and also to suggest the enormous range of gay life to straight and gay people — to show that gays aren’t just hairdressers, they’re also petroleum engineers and ranchers and short-order cooks.”
His other works included “Skinned Alive: Stories” and the novel “A Previous Life,” in which he turns himself into a fictional character and imagines himself long forgotten after his death. In 2009, he published “City Boy,” a memoir of New York in the 1960s and ’70s in which he told of his friendships and rivalries and gave the real names of fictional characters from his earlier novels. Other recent books included the novels “Jack Holmes & His Friend” and the memoir “Inside a Pearl: My Years in Paris.”
“From an early age I had the idea that writing was truth-telling,” he told The Guardian around the time “Jack Holmes” was released. “It’s on the record. Everybody can see it. Maybe it goes back to the sacred origins of literature — the holy book. There’s nothing holy about it for me, but it should be serious and it should be totally transparent.”
